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I wasn’t expecting it to equal what I can do with Kontakt in my Mac but had hope it would be “close enough for jazz”, and it just wasn’t. Not just sound-wise, but in dynamic range - actually, the lack of dynamic range compared to my Kontakt piano was more disappointing than the sound. Compared to my New York piano in Kontakt? Not even close. Despite my attempts with EQ-ing and adjusting the velocity curve (on both AUM and in my Roland controller), I never felt good playing it. Maybe a different preset - I like the one with some bell, but I might have done better with a different one.Īs for acoustic piano (Ivory American D in Module), what a disappointment. Of course I tried with EQ but that didn’t do it. I wish there was a way to balance things out better in that regard. This is not the case with Scarbee in NI Kontakt. And, the top end is piercing - it made me tense up everytime I was playing a solo that reached into the top two octaves of my controller. The samples sound nice but the lack of velocity layers compared to my Mac version is strikingly obvious. The closest to “connected”, for me, was the Scarbee Rhodes in Module.
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My bar is probably higher than a lot of folks since I’ve been playing virtual instruments on a laptop for many years (I started 20 years ago with a Mac Titanium laptop & OS9 but went full time around 2006 - so really, 15 straight years of laptopping-only). I wasn’t really sure what to expect since having everything hooked up at home and working is no substitute for when you’re on a gig playing music that requires you to be listening, reacting, and feeling connected to the instruments under your fingers.Ĭutting to the chase - it wasn’t really happening for me, unfortunately. This was a perfect test of my iPad-only rig. Last night I had a gig with some old friends playing jazz & latin chestnuts in front of an appreciative crowd.